Smaller Victories
I’ve been a little uncomfortable about my last couple of posts. Part of the reason for my discomfort is that, on the first day of class when I’m doing the getting-to-know-you stuff with a computer lab full of first-year student writers, I usually like to give my name and identify as a feminist and a veteran. It pleases me to hope that such an introduction might give some students a moment of pause — to think that a male whose job title was at one time “Sergeant” can occupy what they might see as a self-contradictory political position by their definition of feminism. (See Alas, a blog‘s excellent discussions of definitions of feminism, which I think I got to via Michelle or Amanda but I can’t find the relevant post.) Of course, I’m aware of how much easier it often is for a male academic to identify as a feminist (the student thinks, Oh, he’s cool, or at least less un-cool) than for a female academic (the student thinks, Oh, another ball-buster), and I’m also aware that I’m perpetuating all kinds of essentialisms here, but the hope is that students of the sort described at Alas, a blog might realize that feminist does not equal grim man-hating harridan.
Brief aside: I overheard one of my students several semesters ago mention that she and her roommate thought it would be cool to pose for Maxim, and really wanted to tell her how bad an idea I thought that would be. I wanted to tell her that several years down the road she’d feel less bad about having posed for Playboy than she would about having posed for Maxim: at least Playboy makes a pretense of having some kind of semi-sophisticated content. Maxim and the other “lad mags” (FHM, Stuff) seem to be based entirely upon a know-nothing aesthetic of masturbatory hooliganism.
Anyway. My concerns with feminism seem to me to have collided, to a degree, with the content of my last couple of posts. A good part of Jason’s project at Hogmalion seems to rely on a boy-oriented sense of humor (not to put it down: a lot of the humor is pretty flippin brilliant, and Jason’s a good friend), and Gibson-Graham’s stuff about rape scripts just made me really uncomfortable with the way in which it seemed they were appropriating a horribly fraught topic for the purposes of not-very-useful theoretical play. At the same time, their use of a feminist perspective on capitalism and the economy in the latter half of their book has proven really productive.
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