Economics & Critical Pedagogy
In a recent entry, I asserted that composition has taken Paulo Freire and turned him on his head, substituting the neoclassical economist’s embedded-in-capitalism perspective for the Marxist’s economic analysis of capitalism, and asked: how did this happen? How did composition, in adopting critical pedagogies as its default models for instruction, come to decide that the economic aspects of such pedagogies were to be avoided? Part of this, I think, comes out of the work of one of the most prominent proponents of Freirean critical pedagogy. Composition, and the field of education in general, owes an immense debt to the theoretical work of Henry Giroux in translating Paulo Freire’s critical pedagogy into educational applications for an American context: Giroux is a rigorous and prolific scholar (his curriculum vitae [PDF] goes to 75 pages), and one of the most prominent critical pedagogues working today. Interestingly, however, Giroux’s later work has done much to turn Freirean critical pedagogy away from economic concerns and towards cultural concerns: in a 1998 interview, Giroux notes that his recent ‘work gives less emphasis to class as a universal category of domination’ (142), and this seems to be because Giroux sees formulating cultural concerns in economic terms as problematic: "Reformulating social issues as strictly individual or economic issues, corporate culture functions largely to cancel out the democratic impulses and practices of civil society by either devaluing them or absorbing such impulses within a market logic. No longer a space for political struggle, culture in the corporate model becomes an all-encompassing horizon for producing market identities, values, and practices" (1.2)[i]. We can take from this contention that Giroux would prefer the opposite circumstance, by which one replaces political struggle in the economic sphere with political struggle in the cultural sphere.
Recent Comments